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Create hands-on orgs, practice your Salesforce skills, and complete Trailhead challenges. Install an app or package in your Trailhead Playground. Gradient colors, too! Make your stickfigures look realistic or cartoony! Textfields make it easy to add text and dialog to your animations! Ability to create, save, import, and share stickfigures you create! Thosands of freely available stickfigures availabe on the website for free!

Compatibility with Pivot-created STK files version 2. Clean, mobile-inspired interface - pinch-to-zoom for ease and convenience! Forward and backward onion-skinning for precise animating! Lanuages English Espanol Francais Portugues Turkce Stick Nodes has a thriving community where animators have a good time, help each other out, show off their work, and even create stickfigures for others to use!

Stay Updated New updates have been never-ending for Stick Nodes since it's original release. Full Specifications. What's new in version 2. Textfields now have a few fonts from which to choose. Zooming is much better and more responsive. Option to have joined stickfigures scale with each other. Some bug fixes and other changes. Release November 9, Date Added November 9, Slideshows and galleries can be created in WordPress.

This is quite limiting but at least I was able to create a slideshow in WordPress. Another difficulty with the Flickr widget is that one is only allowed one Flickr widget per account in this theme.

Even though I wanted to offer more than one Flickr gallery, I had to choose only one. Other primary issues that modified the way in which the blog looked and worked had to do chiefly with the fixed structure of the WordPress. Frustratingly, I could not modify the layout of my blog.

I believe the standard blog layout of one large column on the left containing the blog postings and one small column on the right containing functionality works extraordinarily well. Unfortunately, I could not modify this layout in this fashion. The layout placed all three current articles in three columns and then all the widgets and functionality are at the bottom of the page.

Most people do not like to scroll down to view through hyperlinks and added functionality. However, the column style did seem to lend itself to a newspaper rag, but I truly wanted that matched content to functionality more next to each other. What is quite nice about WordPress is that many themes are set up to display pages in addition to the blog space. At the top of the page, I wanted to max out blog to have website capabilities so one can see the number of multiple pages.

The About section explains how this blog is set in There were a number of reasons why Olympia so riled the Parisian viewer but the one I highlight here which I think is so intriguing is that one of the biggest issues being her gaze.

What are you? Lastly, I highlight the much-maligned muse for Olympia — Victorine Meurent, including a video that can be viewed in widescreen mode showing Victorine in all her other Manet paintings. This page is of course about the artist. I took a somewhat different tack with this page. It is very simple, put in a humorous, light commentary in the person of Manet speaking. I wanted to be playful with Manet. The posting is short because Manet wants nothing to do with his blog. The YouTube video as seen below can be played in widescreen due to the addition of VodPod.

Click below:. Is it okay to mix parody, humor, satire, and serious documentation into one? Does that make sense? This page is about the painting of Olympia. This excellent article by Mary Elizabeth Williams from Salon.

It speaks from the modern evaluation and valuation of Olympia and explains what Olympia was so troublesome. The downside of this page is that it is solely a long piece of text. One future idea would be to include the incredible array of modern takes on Olympia — and add some interactive functionality whereby others could submit their own versions of her.

If I had anything to say about Olympia, this is how it would be said. Her words are memorable and she writes one-liners that are unforgettable:. It is this style of writing that I believe makes Olympia current and topical. One of the interesting design aspects I wanted to do with this blog was to fashion similar to the Salon. A problematic issue is still that I have not determined the ability to carry content from another site despite giving attribution and a link to it.

The intent of this page is to set the context for the work and to highlight the Paris Salon was and why it was so important. I really wanted to obtain real photographs of the Paris Salon but could not locate any.

It was also the time of the beginnings of the use of photography so how it was used is not like how we use it today. My content was supplied by Wikipedia regarding the Paris Salon.

I would have liked perhaps more original content, but here is an example of repurposing some content. Originally, I had this page as only a placeholder, because I found it difficult to actually find good material on the Paris Salon.

What was so very important and critical to the understanding of the culture and the salon itself were the use of caricatures. These acted as a means of commentary and visualization since we have no photographs.

The most outstanding and prolific of these are the ones done by the famed caricaturist and artist Honore Daumier. I worked for quite a while to build the slideshow with captions within WordPress. This page is very important in setting the historical and social context of what Paris was like in Paris of and the mid-to mid-late s.

Important for this context is how Paris itself physically transformed under the influence of Baron Georges Haussmann under Napoleon III to modernize the city. Literally Paris went from a medieval to modern city and this disrupted and affected Paris and its people in many ways. I wanted to initially include a slideshow or gallery of photographs showing the before, during, and after of the remaking of Paris — and medieval districts that did survive.

The images are important to see how Paris looked like in this era, and what was going on in the city. However, I did locate a marvelous French video that I placed in the VodPod gallery that highlights significant photographs from that era.

I had wanted to include photographs of people from this era but difficult to find any at this time I have sprinkled staged photographs of critics and friends by the artist and photographer Nadar in postings. I had wanted to provide an overall sense of what Paris in was like with multimedia including music and visual elements, but was limited. What does that tell us about how Paris Salon society viewed her and why so vehement? Strikingly, the largest amount of words have negative and dark connotations — witch, black, decomposition, morgue.

It is hard to believe that this cloud technology is free. The Many Eyes Wikified tag cloud is powerful and very functional. The dynamic nature of its ability to pick out the top words and provide number and location of occurrences exactly matched my idea of fusing the verbage around Olympia as a real tool to visualize and understand.

This shows how words are powerful representations for what was happening about Olympia and how those words effected a whole city and culture. Powerful indeed! This page highlights a slideshow of the caricatures made specifically of Olympia. A primary drawback to this functionality is that I can only include one slideshow as well as any images located in the entire page will all be included in the slideshow. I had thought of placing three slideshows of caricatures Paris Salon, Olympia, and current Parisian politics and culture , but was limited to only one.

This is where if this blog was self-hosted through WordPress. This is a very important component to understanding the time period and to understanding what the reaction was to Olympia.

This was set up automatically in WordPress. What that means is that one theme can have widgets you want, and the one you have not have those or have a few of them. I wanted this design format because I thought it lent to my idea of a Paris newspaper rag, as well as looking quite similar in design to Salon. However the layout and widgets are constrained by the theme. I particularly wanted the widgets to show up on the right side column, but it will only put them at the bottom of a three-columned content blog area.

I still have to format the image so you can see the whole thing. Unfortunately, it seems to have been treated like in , tucked away.

This was one of the most exciting pieces of functionality I was able to incorporate within the blog. The VodPod widget is very useful and is well-designed.

Vodpod acts a gallery for sharing video. In incorporates a selection of up to six thumbnail videos on the main page, with a next page button. One is able to title the active video thumbnails, so that users can decide if they would like to view. The vodpod videos nicely pop out to the side and play instantly.

In addition, it has increased viewing possibilities by the larger popout view as well as a full-screen choice. Wonderfully, VodPod tagged YouTube videos located elsewhere within the site have increased functionality by the ability to view the YouTube videos in widescreen format. This truly adds a greater feeling of richness to the blog experience and content.

So much of the content must be experienced visually, which also helps to reduce the entire burden of content and context upon words alone. Having seen this within our cloud technology tool review and a fellow student presenting a beautifully useful timeline, I was drawn to the wish of including a timeline within the blog. Initially, the timeline that was to be created was to include the chronology of the 19th century nude, to see how Olympia placed herself in it, and to see if it formed any later works.

I had no idea how to get this to work, but found out that VodPod was able to present the timeline within the VodPod gallery. Though the TimeRime timeline is basically still a dummy placement, its success was on its ability to work within VodPod gallery as an offering and on the blog.

A Flickr widget was utilized in order to convey what the proper and acceptable nude was in comparison to Olympia. Within the limitations of what can be done in Flickr, it would behoove me to build up descriptive content within the individual images beyond the titles given.

Here the commentary can discuss the painting, but also point out to what is acceptable in this particular nude. As in the painting of Venus by Duval below, what is acceptable about her is that she does not look at the viewer, she allows a full display of her body, she allows the viewer to be in control, and she does not cover up any parts.

This commentary would allow an interested user to perceive why each of these nudes are acceptable and then why Olympia was not. This would help to improve critical thinking and seeing.

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